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SurfyTrem Deluxe Guitar Effect Pedal
BrownFace
Imagine the amazing tone of the Fender® 1961-1962 Showman® amplifier (second channel) with its beautifully sweet harmonic tremolo voice. This is often called "THE Tremolo" and has been imitated by many over the years but never replicated by any. The signal rides up and down on the harmonics, alternating high and low. This can be compared to the rotating speaker effect of a Leslie system. This type of tremolo has a great characteristic: dynamic adaptability. When the melody is slow and intense, its vibrant soul is expressed and the timbre is particularly rich and deep, but when the mood changes and the sound becomes aggressive and loud, the effect is almost absorbed and distanced, leaving the full attack of the sound of the guitar preserved. In this mode, the extreme dynamics of the tremolo follow your playing style, enhancing your sound without getting in the way.
Blackface
In 1964, Fender® introduced the Blackface series of amplifiers, which offered a cleaner and brighter sound compared to the Tweed/Brownface models. They used another type of tremolo, known from the 50s. With tremolo, the signal alternates in and out, giving a sort of on/off feeling, making the effect more efficient and easier to hear. This feature is also called "amplitude modulation". This tremolo is very noticeable when needed, and cuts through the mix easily and loudly. It is not as dynamic in melodies, but when used for example in solos, it really "liberates" the guitar sound, giving it depth and length. This is certainly a more common effect and probably requires less experience to use properly than the Harmonic Tremolo.
Features
- Stereo effects: the pedal can be used as two separate tremolos sharing the same LFO or for creating stereo effects from a mono source
- Volume control for adjusting the signal level when tremolo is enabled
- True bypass functionality
- Soft touch footswitch
- Brownface / Blackface click-less Mode Switch
- Polarity auto detection allowing to use power supplies with centre-positive or centre-negative polarity
- Extended supply voltage range accepting 9-12V DC 30mA
Product Information
Product Information
Shipping & Returns
Shipping & Returns
SurfyTrem Deluxe Guitar Effect Pedal
SurfyTrem Deluxe Guitar Effect Pedal
BrownFace
Imagine the amazing tone of the Fender® 1961-1962 Showman® amplifier (second channel) with its beautifully sweet harmonic tremolo voice. This is often called "THE Tremolo" and has been imitated by many over the years but never replicated by any. The signal rides up and down on the harmonics, alternating high and low. This can be compared to the rotating speaker effect of a Leslie system. This type of tremolo has a great characteristic: dynamic adaptability. When the melody is slow and intense, its vibrant soul is expressed and the timbre is particularly rich and deep, but when the mood changes and the sound becomes aggressive and loud, the effect is almost absorbed and distanced, leaving the full attack of the sound of the guitar preserved. In this mode, the extreme dynamics of the tremolo follow your playing style, enhancing your sound without getting in the way.
Blackface
In 1964, Fender® introduced the Blackface series of amplifiers, which offered a cleaner and brighter sound compared to the Tweed/Brownface models. They used another type of tremolo, known from the 50s. With tremolo, the signal alternates in and out, giving a sort of on/off feeling, making the effect more efficient and easier to hear. This feature is also called "amplitude modulation". This tremolo is very noticeable when needed, and cuts through the mix easily and loudly. It is not as dynamic in melodies, but when used for example in solos, it really "liberates" the guitar sound, giving it depth and length. This is certainly a more common effect and probably requires less experience to use properly than the Harmonic Tremolo.
Features
- Stereo effects: the pedal can be used as two separate tremolos sharing the same LFO or for creating stereo effects from a mono source
- Volume control for adjusting the signal level when tremolo is enabled
- True bypass functionality
- Soft touch footswitch
- Brownface / Blackface click-less Mode Switch
- Polarity auto detection allowing to use power supplies with centre-positive or centre-negative polarity
- Extended supply voltage range accepting 9-12V DC 30mA
$82.10
Original: $234.58
-65%SurfyTrem Deluxe Guitar Effect Pedal—
$234.58
$82.10Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
BrownFace
Imagine the amazing tone of the Fender® 1961-1962 Showman® amplifier (second channel) with its beautifully sweet harmonic tremolo voice. This is often called "THE Tremolo" and has been imitated by many over the years but never replicated by any. The signal rides up and down on the harmonics, alternating high and low. This can be compared to the rotating speaker effect of a Leslie system. This type of tremolo has a great characteristic: dynamic adaptability. When the melody is slow and intense, its vibrant soul is expressed and the timbre is particularly rich and deep, but when the mood changes and the sound becomes aggressive and loud, the effect is almost absorbed and distanced, leaving the full attack of the sound of the guitar preserved. In this mode, the extreme dynamics of the tremolo follow your playing style, enhancing your sound without getting in the way.
Blackface
In 1964, Fender® introduced the Blackface series of amplifiers, which offered a cleaner and brighter sound compared to the Tweed/Brownface models. They used another type of tremolo, known from the 50s. With tremolo, the signal alternates in and out, giving a sort of on/off feeling, making the effect more efficient and easier to hear. This feature is also called "amplitude modulation". This tremolo is very noticeable when needed, and cuts through the mix easily and loudly. It is not as dynamic in melodies, but when used for example in solos, it really "liberates" the guitar sound, giving it depth and length. This is certainly a more common effect and probably requires less experience to use properly than the Harmonic Tremolo.
Features
- Stereo effects: the pedal can be used as two separate tremolos sharing the same LFO or for creating stereo effects from a mono source
- Volume control for adjusting the signal level when tremolo is enabled
- True bypass functionality
- Soft touch footswitch
- Brownface / Blackface click-less Mode Switch
- Polarity auto detection allowing to use power supplies with centre-positive or centre-negative polarity
- Extended supply voltage range accepting 9-12V DC 30mA
