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Austrian Audio OC818 Microphone with Spider Mount

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Austrian Audio OC818 Microphone with Spider Mount

Austrian Audio OC818 Microphone with Spider Mount

Engineered and manufactured in Austria, The OC818 is Austrian Audio’s premier, professional, large diaphragm microphone. Its high sensitivity, low self-noise and ability to handle everything from a whisper to extreme SPLs make it the most advanced microphone for studio, broadcast and live applications. As the unique ceramic capsule design is so consistent, any OC818 is match-paired with any other OC818, and when in cardioid mode, it can also be match-paired with any OC18, its affordable, smaller sibling.

Key Features

Handmade CKR12 ceramic capsule

Made to the same critical dimensions as the classic CK12 capsules

Multiple polar patterns

Cardioid, omnidirectional & custom programmable

Microprocessor control of polarisation voltages

Allows remote controlled polar pattern settings

Two different analogue high-pass filters with three settings

40 Hz, 80 Hz, 160 Hz

Two different types of analogue pads

-10 dB, -20 dB

Dual outputs

for recording each diaphragm separately
$1,304.07
Austrian Audio OC818 Microphone with Spider Mount—
$1,304.07

Product Information

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Description

Engineered and manufactured in Austria, The OC818 is Austrian Audio’s premier, professional, large diaphragm microphone. Its high sensitivity, low self-noise and ability to handle everything from a whisper to extreme SPLs make it the most advanced microphone for studio, broadcast and live applications. As the unique ceramic capsule design is so consistent, any OC818 is match-paired with any other OC818, and when in cardioid mode, it can also be match-paired with any OC18, its affordable, smaller sibling.

Key Features

Handmade CKR12 ceramic capsule

Made to the same critical dimensions as the classic CK12 capsules

Multiple polar patterns

Cardioid, omnidirectional & custom programmable

Microprocessor control of polarisation voltages

Allows remote controlled polar pattern settings

Two different analogue high-pass filters with three settings

40 Hz, 80 Hz, 160 Hz

Two different types of analogue pads

-10 dB, -20 dB

Dual outputs

for recording each diaphragm separately